Journal of Global Arts Studies (JGAS, p-ISSN: 3022-2893, e-ISSN: 3022-6600) is a peer-reviewed academic journal that publishes research on the arts, culture, and related interdisciplinary fields from global and cross-cultural perspectives. The journal provides a forum for scholarly work that examines artistic production, interpretation, circulation, education, management, and transformation across diverse cultural, regional, historical, social, and technological contexts. JGAS welcomes contributions that advance critical understanding of the arts and their relationship to society, culture, globalization, technology, sustainability, and contemporary life. JGAS publishes articles in English. Manuscripts may be submitted in Chinese, English, or Korean. Accepted manuscripts submitted in languages other than English are prepared for English-language publication in accordance with the journal’s editorial standards. The journal is published quarterly, with issues released on March 31, June 30, September 30, and December 31. Submissions are accepted on a rolling basis and are assigned to an issue following editorial assessment, peer review, acceptance, copyediting, and production. All submissions are subject to initial editorial screening. Manuscripts that fall within the journal’s aims and scope and meet basic scholarly and editorial requirements are sent for peer review. The review process considers originality, academic contribution, methodological soundness, clarity of argument, ethical compliance, and relevance to the journal. JGAS is committed to maintaining responsible editorial practices, supporting academic integrity, and promoting the international dissemination of research in the arts and cultural studies. Through its publication program, the journal aims to contribute to scholarly dialogue across disciplines, cultures, and regions.
Exploration of the personalized cultivation concept in watercolor landscape sketching
Background: Now, personalized cultivation has become a hot topic in the education circle. Objective: The purpose of this paper is to explore the teaching concept of personalized cultivation in the teaching of watercolor landscape sketching. Methods: The case study and text study are discussed from three aspects: Firstly, the common elements in the personalization include the experience of field observation, the relationship between the composition and the black and white rhythm, the harmony of color, the richness and contrast of detail, and the composition and meaning; shape can be cultivated from what aspects: the painting language, interest, materials, ideas, and techniques; finally, discusses how to construct the personalized teaching content framework.. Results: Through the exploratory research results of this paper, it is seen that taking landscape sketching as a way of creation, can not only expand the original concept of sketching, but also develop new ideas for personalized training in teaching; it is conducive to forming diversified teaching outlook, innovative teaching ideas and teaching content system; Conclusions: So it is necessary to carry out the teaching concept in the teaching of watercolor landscape sketching and the practice of personalized training.
Copyright (c) 2023 The Author(s). Published by Journal of Global Arts Studies. https://creativecommons.org/licenses/by/4.0/
The form and aesthetic characteristics of Poyang drum's tunes and lyrics
Background: Poyang Drum is a kind of Chinese folk art forms that is popular in Poyang County, Jiangxi Province, including Jingdezhen, Leping, Shangrao areas of Jiangxi Province. During the Tongzhi period of the Qing Dynasty, it was introduced by Zhang Kunshan, a native of Huainan, Anhui Province, with a history of about 160 years. Purpose: The purpose of this article is to summarize the artistic characteristics and language rules of Poyang Drum and explore some commonalities and personalities of Chinese folk art forms in the form of lyrics and tune, so that more musicians can use this as a reference and better inherit and promote Chinese folk art forms culture. Methods: This paper uses literature analysis, music form analysis combined with linguistics research methods to analyze Poyang Drum 's lyrics, tune, and the aesthetic characteristics of the lyrics. Results: Poyang Drum through inheritance and development, dialect, Poyang folk tunes, fishing songs and so on into the integration. The basic sentence patterns of its lyrics can be divided into seven words sentence, four words sentence, ten words sentences, etc., and there are rich interlining words. The basic plate has allegro, Lento, adagio, rubato, etc. which are all performed by the artist's improvisation and flexible use. Poyang Drum 's lyrics are mainly narrated, with Poyang dialect as the keynote. The tune is soft and simple, full of rhythm and musicality. Strong impromptu, singing style is not stylized. The dialect is closely combined with the singing, adding the slang and contrast words rich in Poyang characteristics. Conclusions: This paper holds that it is a mixed art form between the qupai and the plate cavity.
Study on the drinking vessel in the stone hall image of Yuhong Tomb in Taiyuan, China
Background: The tomb of Yuhong of Sui Dynasty was excavated in Wangguo Village, Taiyuan City in 1999 by archaeologists from Shanxi Province. The only remaining burial equipment was the marble hall made of white marble. The stone hall was a wood-like three-open intermittent hill-top hall, consisting of a long flat square base, a central wall panel and a mountain top. Both inside and outside the stone hall are carved and painted, composed of 54 single images, rich in pattern content. The figures, costumes, utensils, Musical Instruments, dances, flowers and trees in the images are all related to Persia and Central Asian countries, and are also of great significance to the study of the Silk Road and the ancient East-West cultural exchanges.Objective: This study aims to explore the wine vessels depicted in the stone chamber images of the Yuhong Tomb in Taiyuan, with a focus on analyzing their cultural and artistic value. Through the study of the wine vessel images, the research seeks to reveal the artistic fusion in the cultural exchange along the Silk Road.Methods: The study utilizes image analysis and comparison with historical literature to categorize and analyze the wine vessels depicted in the stone chamber of the Yuhong Tomb in detail, with particular attention to the origins and evolution of wine vessel types such as Rhyton, Poluo, and tall-footed cups. It emphasizes their cultural significance and stylistic features.Results: The findings indicate that these wine vessels integrate artistic elements from Persia, Sogdiana, Rome, and indigenous Chinese culture, reflecting the significant role of the Silk Road in promoting artistic exchange and traditional absorption between different cultures.Conclusion: The study demonstrates that the wine vessels depicted in the stone chamber images of the Yuhong Tomb are not only artistic works but also evidence of cultural exchange. These discoveries are crucial for understanding the cultural interactions along the Silk Road and the contributions to China's rich cultural heritage.
Exploring the Fusion of Children's Cognitive Features in Pop-Up Book Design with Traditional Chinese Medicine Culture: Enhancing Cognitive Abilities, Focus, and Interest
Background: Pop-Up Books play a crucial role in early childhood education, particularly in enhancing overall development through unique interactivity and visual impact. Purpose: To effectively inherit and innovate Traditional Chinese Medicine (TCM) culture, aiding in its integration into national education. Methods: Combining the distinctive presentation of pop-up books with virtual reality technology and the fundamental concepts of TCM, creating engaging and age-appropriate TCM educational materials for young children. Result: Developing pop-up books tailored to children's cognitive abilities, incorporating TCM education into early childhood curriculums, and sparking interest in TCM culture. Conclusion: The integration of pop-up book design, virtual reality, and cultural elements supports national efforts to disseminate and preserve cultural heritage, effectively transmitting excellent national culture in early education.
The Application Research of Light and Shadow Art in Immersive Experiencess
Background: Currently the art of light and shadow is gradually being emphasized in creating immersive spatial experiences and has become an innovative trend in the field of modern spatial design. Objective: This paper aims to deeply analyze the role of light and shadow art in creating immersive experiences. Methods: By defining the concepts of light and shadow art and immersive experience, the study explores the key role of light and shadow art in the design of immersive experience and demonstrates its performance and advantages in practical application by analyzing a number of modern cases. Results: The study finds that light and shadow art can greatly enrich the audience's experience by shaping the environmental atmosphere and enhancing sensory engagement. This art form not only provides visual aesthetics in immersive environments, but also combines functionality, awareness and interactivity. Conclusion: Light and shadow art plays an important role in the design of immersive experiences, and it shows significant potential and development trends in current and future spatial design, playing a key role in promoting innovation and uniqueness in modern spatial design.
Practices and Explorations in the Construction of the Visual Identity of the ‘Lu Liang Vegetables’ Regional Public Brand
background: With the development of the market economy, the branding of the vegetable industry has become a trend. Objective: Through research, analysis, and summarization of the construction of the visual identity of the “Lu Liang Vegetables” regional public brand, this paper provides references and lessons for Lu Liang and related regional public brands in the construction of brand visual identity. Methods: This paper investigates the early development of “Lu Liang Vegetables”, compares the construction of regional public brands in China, the United States, Japan, and South Korea, and explores and summarizes the current industrial base and brand cultivation of “Lu Liang Vegetables”. Results: Four problems were found in the construction of the brand visual identity of “Lu Liang Vegetables”: insufficient participation of the production end, insufficient application and promotion, lack of standardization in the execution of the identification system, and the environmental design expressing the brand visual identity needs to be improved. Conclusion: In view of the current situation of the construction of the brand visual identity of “Lu Liang Vegetables”, three suggestions are put forward: improving the management system among participating subjects, strengthening the management of brand visual identity, and exploring the value co-creation model.
The Fusion of Traditional and Modern Symbols in Contemporary Chinese Landscape Painting
background: The fusion of traditional and modern symbols in contemporary Chinese landscape painting is a complex and diversified phenomenon, which not only reflects the progress of society and the development of The Times, but also reflects the artists' exploration and innovation of art. Objective: To explore the integration of traditional and modern symbols in contemporary Chinese landscape painting, and analyze its impact on artistic works and the value of the times. Methods: The application of traditional and modern symbols in contemporary Chinese landscape painting was studied by means of semiotics analysis and Chinese landscape painting works analysis. Results: The use of traditional symbols and the introduction of modern symbols also bring new visual impact and thinking to the audience. The integration of traditional and modern symbols enriches the artistic language of landscape painting, forms a unique artistic style, and provides artists with a broader creative space and possibilities. Conclusion: This integration makes landscape painting more sense of the times and vitality, and provides us with more opportunities and perspectives to appreciate and understand contemporary landscape painting, and can better reflect the reality of contemporary society and people's spiritual outlook.
Analysis of the Current Situation and Hot Spots of Music Education Research in Elementary Schools in China
Background: Music education, as one of the crucial artistic courses in school education, constitutes an integral part of students' comprehensive development. The relevant studies on perception, along with the promulgation and implementation of the 2022 edition of China's "Compulsory Education Art Curriculum Standards," have laid a new foundation for the upcoming round of transformative restructuring in music education classrooms. Objective: The objective of this study is to analyze relevant academic journal literature on elementary school music education during the first two rounds of curriculum reforms in China (2002-2012-2022). This analysis aims to reveal the research status and hotspots in this field over the past two decades, providing cognitive support for the upcoming round of curriculum reforms. Methods: Literature retrieval was conducted on the China National Knowledge Infrastructure (CNKI) database, and CiteSpace visualization analysis software was utilized. Employing quantitative and visual methods, an exploration and analysis of high-frequency terms, high-centrality terms, and salient terms in 2363 articles were conducted, presenting the structure and evolutionary trends in the research field. Results: It was found that over the past 20 years, research themes in Chinese elementary school music education have gradually evolved. Early studies primarily focused on pedagogical methods in primary school music classrooms, music education, and music teachers. In recent years, emerging research topics encompass core competencies, presentation activities, and music literacy. Conclusion: The findings indicate that the hotspots in research on Chinese elementary school music education align closely with the directions of contemporary curriculum reforms. Achievements predominantly converge on specific classroom teaching objectives, but the research focus on classroom teaching content varies across different stages of curriculum reform. This panoramic view provides essential reference for future practitioners and researchers in elementary music education, while offering crucial data support for decision-makers. Clarifying the trajectory of existing research achievements during the forthcoming curriculum reform process will facilitate the sustainable development of both elementary music education and the quality of classroom teaching in China.
Research on the Construction of Agricultural and Forestry Product Channels for Rural Revitalization
Background: The purpose of rural revitalization is to promote the prosperity of rural industries and the prosperity of villagers. Building a digital supply chain in rural areas is one of the important paths to achieve the grand goal. Objective: To propose suggestions for the digital supply chain of rural agricultural and forestry products, build a stable and sustainable digital supply chain, cultivate rural industries and optimize industrial structure, enrich rural areas, and achieve rural revitalization. Methods: Through on-site interviews with village and town officials, farmers, and rural enterprises, had grasped the current situation and problems of the development and construction of rural industrial chains, the demand of agricultural and forestry products, with the demand sort out the digital supply chain of rural agricultural and forestry and element,, calculate the weights by Analytic Hierarchy Process model, form a digital supply chain network structure with clear primary and secondary analysis and hierarchy. Results: We have built a digital supply chain network system with leading enterprises as the core, multi subject collaborative education, and suitable for the actual development of rural economy. We have elaborated on the key points of rural digital supply chain construction, from construction planning and digital supply chain design, to demand visualization, digitalization of planting and processing, modernization of cooperative operation, digitalization of logistics, and digitalization of risk management. Conclusion: Practice has proven that digital technology has significant application value in promoting rural revitalization, improving the living standards of villagers, and building beautiful rural areas, achieving overall rural prosperity and achieving comprehensive revitalization of industries, organizations, talents, culture, and ecology.
The two stages of Jinghao's "Truth" -- "Taking truth from things" （度物取真）and "Searching wonderful and creating Truth"（搜妙创真）
Background: Jing Hao was a famous theorist and painter in the Central Plains during the late Tang and Five Dynasties. He put forward "truth" in "Bi Fa Ji", and his art works also proved the practice of "truth" everywhere. So what is the "truth" proposed by Jing Hao? Objective: This paper mainly analyzes Jinghao's "truth" from the metaphysical level, because Jinghao's "truth" is established in the scope of life reflection, heart source experience and heaven and earth concept, which is a combination of physical and metaphysical. Only by thoroughly analyzing the metaphysical formation path of "truth" can we better understand that Jinghao's "truth" not only needs physical tools, but also needs metaphysical ways. Only by combining the instrument and Tao can we create the true scenery, mountains and rivers, and finally reach the ideal "truth" of Jinghao's art. Methods: Therefore, this paper mainly focuses on the text of "Bi Fa Ji" and discusses Jing Hao's "truth" from the two aspects of "taking truth from things" and "searching for beauty and creating truth" through literature research and other methods. Results: trying to analyze how the metaphysical level of "truth" is constructed in Jing Hao's art world. Conclusion: Through the study of the metaphysical "truth", it lays a solid foundation for the later forms.
The Cultural Significance and Order of Typical Courtyard Spaces in Shandong
Background: The residential courtyards in Shandong, characterized by their plain appearance and minimal decoration, are deeply rooted in the region's diverse natural conditions and profound local culture. The varied climate and topography of Shandong, along with its distinctive Qi-Lu culture, have shaped the unique characteristics of these courtyards. Objective: This study aims to uncover the distinctive features beneath the unassuming appearance of typical courtyards in urban and rural Shandong, and to interpret the deeper meanings behind their undecorated facades. Methods: Through an in-depth examination of the intrinsic connection between typical residential courtyards in Shandong and their spatial culture, this research combines literature review, field mapping, and image analysis. Extensive investigations were conducted across numerous towns and villages in Shandong Province, exploring the relationship between the form, distribution, and types of typical courtyards and regional culture. Results: The study reveals that the structural classification of courtyards aligns significantly with the regional divisions of the Northern Song Dynasty. Additionally, geographical features such as rivers, coasts, and mountains have a significant impact on the distribution of these courtyards. Conclusion: Typical residential courtyards in Shandong downplay external decoration, emphasizing an introspective and communal character. Their spatial layout underscores order, regulating family life and reflecting social relationships. The sustainable techniques employed in these courtyards subtly suggest a cultural ethos of "frugality nurtures virtue(Jian yi yang de)."
An Analysis of "Inheritance and Innovation" in Visual Communication Design——Take Jin Taiqiang and An Shangxiu, Chinese and Korean Designers, as Examples
Background: Visual communication design is a comprehensive discipline that integrates art, culture and technology. Its development process has been profoundly affected by social, cultural and technological changes, and carries the inheritance and innovation of culture. Objective: This study aims to explore the concept of "inheritance and innovation" in visual communication design in China and South Korea, taking designers Jin Daiqiang and An Sangxiu as examples for analysis. Methods: Through literature research, this paper makes a comparative analysis of the concrete embodiment and common points of inheritance and innovation of designers in China and South Korea. Firstly, it summarizes the connotation and value of inheritance and innovation. Then, it focuses on the concrete expression of "inheritance and innovation" in the design works of Kan Tai-Keung and Ahn Chang-su, highlighting Kan Tai-keung's deep understanding of traditional culture and the integration of innovation, and Ahn Chang-su's innovative methods to make traditional elements in font design full of modern fashion charm. Results: Through the comparative analysis of Kan Tai-Keung's and Ahn's visual communication design works, the author highlighted their views on modernity style, inheritance of traditional cultural ideas, and the relationship between inheritance and innovation. Conclusion: Finally, it emphasizes the complementarity of inheritance and innovation in the works of the two designers, which injects profound connotation and rich value into the field of visual communication design.
On the performance techniques and emotional expression of the flute music “Prokofyev's flute sonata in D major”
Background: Sergei Sergeyevich Prokofiev created a large number of musical works throughout his life. His musical career can be divided into three periods: the Russian period, the foreign period, and the Soviet period, each with a different style of work. Purpose: This article takes Prokofiev's only sonata for the flute, "D Major Flute Sonata," as the research object, aiming to analyze the fragments of the work from the aspects of melody, musical form, and performance precautions. Methods: The first part analyzes the creative background of "Flute Sonata in D Major" using music score as a case study; The second part analyzes the structure of the work "Flute Sonata in D Major" and provides examples to explore the playing details and techniques; The third part focuses on the creative background and personal artistic style of the collaborator, and explores the emotional expression that runs through the entire D major Flute Sonata. Results: Through comparative analysis of the performance versions of "Flute Sonata in D Major", this study explores the control of music style, summarizes the experience and skills of excellent performers, and improves their performance level. Conclusion: The melody of the Flute Sonata in D major is not just a bunch of lines, but also follows the rules of harmony and counterpoint. Although this work is a late achievement of Prokofiev, it encompasses all the characteristics of his style, namely a fusion of classical and modern emotional expression, with a more striking rhythm and more intense emotions.
Copyright (c) 2023 https://creativecommons.org/licenses/by/4.0/
On the Aesthetic Paradigm and Perception of Music
Background: Music is a sensory art based on sound, and its aesthetic paradigm is established on the reasonable combination and arrangement of sounds. Purpose: This article analyzes human perception of sound from an aesthetic perspective, attempting to explain the factors that influence whether music is perceived as "pleasant" or "unpleasant." Methods: The essential attribute of music is the effect of perceived sound on the object, which means that subjects with different perceptual abilities will have varying aesthetic experiences based on different aesthetic paradigms. Simultaneously, different aesthetic paradigms will also affect one's feelings towards music. This explains why different ages, regions, and ethnicities have various aesthetic differences in music. Results: This paper aims to analyze the connection between paradigms and perception through the internal mechanisms of aesthetic paradigms and attempts to explain the causes leading to different aesthetic tastes, contributing to the spread and creation of music by exploring human consciousness level understanding of sound. Conclusion: The results show that music aesthetics and human perception are strongly linked and explain to some extent the elements that influence humans' subjective judgments of music.
The Study of the Influence of Lao Zi's Philosophy on Chinese Calligraphy Art
Background: With the increasing spread and influence of Chinese traditional culture in the world, Lao Tzu's philosophy, as one of its core ideas, has an increasingly profound influence on the art of calligraphy. Objective: This study aims to explore the influence of Laozi's philosophy on Chinese calligraphy art, and to analyze its enlightenment and guidance in calligraphy creation and artistic expression. Medhoes: The study used literature research, cultural and historical investigation, case study and expert interviews. Results: The results show that Laozi philosophy is embodied in the aesthetic concept of Chinese calligraphy art as pursuing the common beauty of natural and natural flow, emphasizing the combination of virtual and real, vivid artistic expression, as well as the unity of artistic conception and ink. In the aspect of calligraphy creation, Laozi's philosophy encourages artists to explore themselves, emphasizes the adjustment and purification of mood and creative realm, and advocates the artistic pursuit of reducing the road and simplifying the complex. The analysis of classical calligraphy works and the calligraphers 'quotation and integration of Laozi's philosophy show that Laozi's philosophy has a profound influence on the art of calligraphy. Conclusion: The conclusion is that Lao Tzu's philosophy provides the theoretical basis and aesthetic guidance for Chinese calligraphy art, and has an important enlightenment and guiding role for the creative practice of calligraphy artists. Future research can deepen the understanding of the influence of Lao Tzu's philosophy on calligraphy art and other art fields in the context of globalization.
Research and Application of Emotional Design-based Visual Image Design for Catering Brands- Taking Hunan Cuisine Brand Furongge as an Example
Background: The arrival of the post-epidemic era, the domestic economy gradually recovered and developed, people's living standards of consumption recovered and improved. At the same time, the restaurant industry also continues to develop and recover and expand. For designers, it is undoubtedly a challenge to effectively communicate the entire restaurant brand image. Objective: In the history of art, some artists are in a state of being ignored, which is both normal and abnormal. The normal refers to that an art history is a history with both masking and exposure, while the abnormal means that some important artists are excluded from the vision of art history. Methods: Based on literature research methods, we organized articles and literature materials related to Gao Qipei, explored the origin of Gao Qipei's "Wonder-advocating" Thought in his painting from the perspectives of his career and personal experience and analyzed the "Wonder-advocating" Thought from multiple angles. Result: There was an expression form of "Wonder-advocating" art in the Ming and Qing Dynasties, and Gao Qipei reflected the pursuit of "curiosity" taste from artists in the Qing Dynasty. Starting from Gao Qipei, the finger and pen have a distinction in painting. In his concept, the finger had many advantages over the pen, which prompted him to use the finger for painting and formed his own unique painting style. Conclusion: It is revealed that Gao Qipei had a "brand new" understanding of painting art under the condition of "Wonder-advocating" Thought, which brought new vitality to Chinese painting art.
Comparative Analysis and Considerations on the Current Development and Future Trends of Children's Museums in Korea and China
Background: Children's museums play a crucial role in childhood education, with an inherent connection to the future development of a nation. Objective: Children's museums in South Korea and China differ in culture, display, education, etc., each with its own strengths. Reciprocal learning can enhance the development of these museums, acting as a conduit for international cultural exchange and cooperation, fostering global cultural interaction. Methods: Through extensive literature analysis, this paper compares and analyzes the development, quantity, exhibition, educational status, and future trends of children's museums in Korea and China. It discusses the similarities and differences, as well as the challenges faced by children's museums in both countries. Results: The study reveals the following: 1) Cultural differences have shaped the unique historical features of children's museums' development in Korea and China. 2) There is a noticeable disparity in the number of children's museums between the two countries. 3) Korean and Chinese children's museums share similarities in exhibition and education, yet there are notable differences. 4) The future development trajectories for the two countries vary. Conclusion: Korea and China are geographically and culturally proximate. This research, by comparing the historical development, current state, exhibition, and educational aspects, as well as the future trends of children's museums in these countries, aims to provide beneficial insights for the development of children's museums and cultural exchanges.
Research on the "Wonder-advocating" Thought in Gao Qipei's Finger Painting
Background: During the early and middle Qing Dynasty when Gao Qipei was living in, he largely inherited the old system of the Ming Dynasty. In the late Ming Dynasty, influenced by Wang Yangming’s Philosophy, individual willpower and subject spirit began to awaken, and he pursued novel ideas in his artistic creations. Objective: In the history of art, some artists are in a state of being ignored, which is both normal and abnormal. The normal refers to that an art history is a history with both masking and exposure, while the abnormal means that some important artists are excluded from the vision of art history. Methods: Based on literature research methods, we organized articles and literature materials related to Gao Qipei, explored the origin of Gao Qipei's "Wonder-advocating" Thought in his painting from the perspectives of his career and personal experience and analyzed the "Wonder-advocating" Thought from multiple angles. Result: There was an expression form of "Wonder-advocating" art in the Ming and Qing Dynasties, and Gao Qipei reflected the pursuit of "curiosity" taste from artists in the Qing Dynasty. Starting from Gao Qipei, the finger and pen have a distinction in painting. In his concept, the finger had many advantages over the pen, which prompted him to use the finger for painting and formed his own unique painting style. Conclusion: It is revealed that Gao Qipei had a "brand new" understanding of painting art under the condition of "Wonder-advocating" Thought, which brought new vitality to Chinese painting art.
A Study on the Development of Dance Movements of ‘Yuan heng li zhen’ Circular Thought in <Zhouyi>
Background: has an important influence on both Chinese and Eastern philosophy, and is the source of Chinese philosophical thoughts. As one of the most important thoughts in , ‘Yuan heng ly zhen's circular thought has been guiding our life and revealing the essential law of the development of things for us. Objective: By understanding and reanalyzing the circular thought of ‘Yuan heng li zhen’, researcher try to develop dance movements that conform to its connotation. Methods: Firstly, this study explored and sorted out the background of and the circular thought of ‘Yuan heng li zhen’ in by review. In addition, the researchers looked for artistic videos and pictures associated with the creation of circular dance. Second, the researcher makes a personal analysis and understanding of the circular thought of ‘Yuan heng li zhen’ in , and develops corresponding dance movements. Results: Through the exploration of body language, the researchers realized the communication of the metaphysical circular idea ‘Yuan heng li zhen’ and the dance movement , and analyzed it. Through the choreography of dance movements, it presents the four stages of the original, development, contradiction and circulation of things. Conclusion: This study reveals the related process of Oriental thought theory and dance movement development, and expands the application of dance art. The integration of art and humanity is realized by visualizing and concretizing Oriental thoughts in dance movements. It also puts forward the prospect of the figurative display of the dance art on the ideological and philosophical level in future.
The idea of building “ an ecological community with a shared future”reflected in the paintings of “Xin’an School”
Background: As an important cultural symbol in Anhui Province of China, the paintings of Xin'an School contain rich ecological philosophy, especially the concept of building "an ecological community with a shared future." Objective: Through analyzing the representative paintings of the Xinan School, the article tries to explore the concept of "an ecological community with a shared future" expressed by artists. Methods: First, the paper focuses on the development of the idea of "an ecological community with a shared future." Secondly, the paper summarizes the previous research of Xin'an Painting School. Then, the article analyzes the concept of "an ecological community with a shared future" reflected in the works of Xin'an School of painting. Results: For Xin'an School painters, all things in nature have one destiny. Therefore, we should love nature, treat animals equally and advocate the harmonious coexistence of human beings, animals, plants, etc. In addition, harmonious social and ecological relations are crucial to the sustainable development of human beings. Because of this, Xin'an School painters think of constructing a harmonious social ecological community through the cultivation of self-spiritual ecology. Conclusion: The ecological concepts reflected in the paintings of the Xin'an School have important implications. First, human beings should establish consciousness of the natural ecological community. Second, we should stop the destruction of nature at once. Third, the study is beneficial in solving the global ecological crisis. Finally, the construction of an ecologically harmonious society cannot be separated from everyone's efforts.
Copyright (c) 2024 The Author(s). Published by Journal of Global Arts Studies. https://creativecommons.org/licenses/by/4.0/
The Healing Power of Nature: The Impact of Horticultural Therapy on Mental Health
Background: Horticultural therapy, which combines plant cultivation and natural environments, promotes individual physical and mental health as well as psychological growth. Although widely applied in countries such as Europe, America, and Japan, the exploration of this field in China is still in its infancy, necessitating the strengthening of theoretical research and practical application. Objective: This study aims to integrate domestic and international research on horticultural therapy through a literature review, revealing its mechanisms of action and practical effects, and providing theoretical and practical guidance for the development of horticultural therapy in China. Methods: A systematic review method was employed, searching relevant literature from the past decades in databases such as CNKI and Google Scholar. Keywords were used to filter the literature, excluding irrelevant or scientifically insufficient documents, with a focus on the psychological intervention effects of horticultural therapy on specific populations, such as Alzheimer's and autism patients. Results: The study found that horticultural therapy can effectively alleviate stress, reduce fatigue, and relieve anxiety, with positive psychological intervention effects on Alzheimer's and autism patients. Indoor plants can enhance happiness, promote relaxation, and decrease negative emotions. The application of plant metaphors in horticultural therapy provides a new perspective for psychotherapy. Conclusion: Horticultural therapy, as an adjunct treatment method, has development potential in China. Future research should focus on individualization and precision, exploring the variability of individual responses to horticultural therapy, and delve deeper into the application of plant metaphors to enhance the scientific and practical aspects of horticultural therapy, providing more effective pathways for individual mental health.
The Regional Characteristics and Preservation of Chinese Folk Dance— A Case Study of the Gannan Tea-Picking Dance
Background: The regional characteristics and preservation of Chinese dance have gained increasing scholarly attention. As a representative local dance form with distinctive cultural value, the Gannan Tea-Picking Dance reflects the close relationship between regional culture and folk dance traditions. Objective: This paper aims to explore the regional characteristics and preservation issues of Chinese dance, focusing on the artistic features and cultural significance of the Gannan Tea-Picking Dance. Methods: Taking the Gannan Tea-Picking Dance as a case study, this research analyzes its historical origins, stylistic characteristics, and relationship with regional culture through literature review and cultural analysis, while also examining its current status of inheritance and preservation. Results: The study reveals that regional culture plays a crucial role in shaping the dance form, performance style, and artistic expression of the Gannan Tea-Picking Dance. At the same time, the dance currently faces challenges in inheritance, dissemination, and sustainable preservation. Conclusion: This paper proposes relevant suggestions to provide both scientific support and practical guidance for the sustainable development of the Gannan Tea-Picking Dance, emphasizing its important role in preserving regional culture and promoting the inheritance of traditional Chinese folk dance.
Analysis on the Artistic Features and Cultural Connotations of Folk Sachet in Northeast China
Background: The Northeast region of China, as the birthplace of the Chinese hunting and gathering civilization, has a long history and a unique culture. The folk sachets native to this area, as carriers of the local culture, bear rich regional cultural information. Objective: This study aims to analyze the shapes, patterns, and colors of Northeast Chinese folk sachets in connection with local culture, revealing the deeper cultural connotations embedded in these traditional handicrafts. Methods: Through literature review, field investigation of sachet artifacts, and interviews with artisans, this paper analyzes the sachets’ shapes, decorative patterns, and color schemes to interpret their cultural significance. Results: Northeast folk sachets exhibit a rich variety of forms, including open-mouth and closed-mouth types, as well as geometric, plant, and animal-shaped designs. Their patterns can be divided into figurative and abstract forms, conveying people’s spiritual beliefs and ideological concepts. The color schemes are bright and harmonious, integrating cultural, artistic, and practical values. Their cultural connotations include Dragon Boat Festival customs for warding off evil spirits, expressions of affection, fertility worship, and auspicious blessings. Conclusion: Northeast folk sachets reflect the distinctive lifestyle and folk customs of the region, embodying the spiritual pursuits of Northeastern people and serving as an important carrier of Northeastern folk culture. Research and preservation of these sachets contribute significantly to the inheritance and promotion of traditional Chinese culture.
Is there really only “regression”?——Rethinking Adorno 's Multidimensional Critique of Stravinsky
Background: Since the twentieth century, Chinese musicologists have increasingly emphasized the relationship between music and society, and between music and philosophy, with Adorno being a key figure in scholars' discussions. Purpose: The purpose of this paper is to elaborate Adorno’s dialectical evaluation and multidimensional perspective on Stravinsky. Methods: Based on the research of domestic scholars on Adorno’s “retrogressive” evaluation of Stravinsky, this paper finds that scholars mainly elaborate Adorno’s critical evaluation of Stravinsky, ignoring the correlation between Adorno’s affirmative premise that Stravinsky is a representative of new music and his multidimensional critique of musicianship, sociability, and philosophicality, as well as the dimensions of the critique. Results: The study reveals Adorno’s path of social critique through musical form as a critique of social mediation. Conclusion: In the process of evaluating Stravinsky, Adorno, based on the analysis of musical works and combined with sociology and philosophy, emphasizes the cognitive function of musical works, providing a highly composite and dialectical perspective for the study of musicology.
Research on Regional Public Brand Construction Strategy and Practice of Yongjia Wuniu Zao Tea
Background: In March 2023, “Wuniuzao Tea from Yongjia” was approved as a geographical indication trademark, effectively raising its visibility. Objective: This research aims to conduct an in-depth analysis of the current development problems of the regional public brand of “Yongjia Wuniuzao Tea” and propose feasible development strategies. Methods: Through case analysis of well-known regional public brands of agricultural products at home and abroad, drawing on their successful experience and combining it with the actual situation of “Yongjia Wuniuzao Tea,” this paper proposes feasible brand-building strategies. Results: Through systematic research, this study conducts an in-depth analysis of the development process and construction strategies of the regional public brand of Yongjia Wuniuzao Tea. Conclusion: Through the concerted efforts of multiple stakeholders, the market position and economic benefits of Yongjia Wuniuzao Tea can be significantly enhanced, providing strong support for achieving common prosperity and rural revitalization, while promoting the tea industry in Yongjia and even Wenzhou to a new level.
Research on Empowering Intangible Cultural Heritage Protection and Inheritance with New Quality Productive Forces—Taking "Gaizhou Shadow Puppetry "as an example
Background: The proposal of the theory of new quality productive forces offers new insights and requirements for the protection and inheritance of intangible cultural heritage. Objective: This paper explores the development of Gaizhou shadow puppetry through new quality productive forces, using technological and digital imaging methods to infuse life and vitality into intangible cultural heritage, thus promoting the sustainable development of Gaizhou shadow puppetry. Methods: Using research methods such as literature review, case study, and field investigation, this article conducts an in-depth analysis of the current protection efforts of Gaizhou shadow puppetry. It examines the problems in the protection and inheritance of intangible cultural heritage, using Gaizhou shadow puppetry as an example, and proposes targeted and feasible solutions for issues that urgently need to be addressed. Results: Guided by the theory of new quality productive forces and empowered by modern technology and digital value connotations, this article demonstrates how near-extinct intangible cultural heritage projects can be revitalized, providing both theoretical support and practical guidance for the digital transformation of intangible cultural heritage. Conclusion: Through the empowerment of new quality productive forces, Gaizhou shadow puppetry has been “reborn from the ashes” and now better adapts to the development trends of the new era. This transformation is conducive to the development of cultural globalization and promotes the high-quality transmission of intangible cultural heritage within the global cultural landscape.
The Research on Han Zhen and Zhou Liya’s Dance Drama Communication Strategies in the Context of New Media—The Case of Bilibili Account "Han Zhen &Zhou Liya Studio "
Background: Han Zhen and Zhou Liya are iconic figures in the field of Chinese dance drama in recent years. They have garnered widespread attention through new media platforms, achieving a remarkable balance between artistic value and market appeal. Objective: This study aims to conduct an in-depth analysis of Han Zhen and Zhou Liya’s dance drama communication strategies in the context of new media. Methods: The research adopts a mixed-methods approach, combining qualitative and quantitative analysis. Taking Han Zhen and Zhou Liya’s official Bilibili account, “Han Zhen & Zhou Liya Studio,” as a case study, a total of 60 video posts uploaded as of November 29, 2024, were selected as research data. Content analysis was employed to examine video content types and communication metrics. Results: The study reveals that Han Zhen and Zhou Liya emphasize a communication strategy that combines a relaxed and natural style with the artistic qualities of dance drama. This differentiated strategy effectively attracts a diverse and multidimensional audience for dance drama. Conclusion: Their communication practices provide concrete references for dance drama creators seeking to communicate effectively on new media platforms, while also offering deeper insights into audience needs and communication characteristics within the new media environment.
Aura's Disappearance and Remolding in the Digital Age: Digital Art's Impact on the Traditional Aesthetic System
Background： Building on Benjamin's The Work of Art in the Age of Mechanical Reproduction, technology (like photography and film) liberated art from ritualistic worship, shifting its focus to display value and political function. The digital age extends this liberation: AI, VR/AR, and other technologies create new art forms, impacting the traditional "aura" and value system. Concurrently, digital art introduces issues of copyright and the digital divide. Objective： Starting with the disappearance of Benjamin's "aura" due to mechanical reproduction, this paper discusses changes in art's creation, dissemination, and reception in the digital age. It analyzes digital art through technology, aesthetics, form, and ethics, revealing technology's impact on traditional art and discussing digital art's interactivity and aesthetic modernity to provide a reference for social development. Methods： Combined with Benjamin and other theories and specific cases, from the technology, experience, ecology, ethics multi-dimensional deconstruction, contrast the artistic characteristics of different times. Results: Digital art reconstructs art noumenon, aesthetic experience and ecology, but it also exposes ethical and practical problems such as copyright dispute, digital divide and market bubble. Conclusion: The "distributed brilliance" of the digital age is not based on material uniqueness, It is reflected in the variability of program generation, the non-replicability of interactive experience, and the value recognition of community consensus. And the "relational truth" given by blockchain technology, it is necessary to balance technology and humanities to promote its healthy development in the future.
Copyright (c) 2025 The Author(s). Published by Journal of Global Arts Studies. https://creativecommons.org/licenses/by-nc/4.0
Research on the Upgrading of Agricultural and Forestry Product Supply Chain through the Integration of Rural Culture and Tourism
Background: The integration of culture and tourism can effectively promote the transformation and upgrading of the agricultural and forestry product supply chain, thereby achieving efficient coordination and optimization of rural industrial resources. Objective: This study aims to build a robust and sustainable digital supply chain system, cultivate rural industries, optimize industrial structures, enrich rural economies, and ultimately promote comprehensive rural revitalization. Methods: Through field investigations and on-site research, the study identifies the current conditions and existing problems in the development and construction of rural industrial chains. Based on these findings, a digital supply chain model and corresponding elements for rural agricultural and forestry products are constructed, forming a hierarchical and clearly structured digital supply chain network. Results: The research proposes the establishment of a digital supply chain network suitable for the practical development of the rural economy through multi-party collaborative participation. This includes digital supply chain design, demand visualization, modernization of specialized cooperative operations, and the digitalization of risk management systems. Conclusion: The application of digital technology demonstrates significant value in promoting rural revitalization. It effectively facilitates the transformation and upgrading of rural industries, improves villagers’ living standards, and contributes to the construction of beautiful rural communities, thereby realizing the comprehensive revitalization of industries, organizations, talents, culture, and ecology.
Images and Beliefs: The Expression of Taoist Cultural Symbols in the Roof Enameled Ceramics of Chaoshan Temples
Background: The enameled ceramics art of Chaoshan temples, as a distinctive traditional art form, occupies an important position within local culture and religious belief systems. With the growing emphasis on traditional culture in modern design fields, the Taoist cultural symbols embodied in enameled ceramics art have gradually attracted widespread scholarly and artistic attention. Objective: This study aims to conduct an in-depth analysis of Taoist cultural symbols in Chaoshan temple enameled ceramics art, exploring its craft characteristics, cultural significance, and possibilities for modern inheritance and innovation. Methods: Through the systematic organization and analysis of the materials, production techniques, and symbolic expressions of enameled ceramics art, this study reveals the specific manifestations of Taoist symbols and their deep integration with local culture. Furthermore, the research discusses how enameled ceramics art constructs a unique visual language and cultural identity through concepts related to Feng Shui and the Five Elements. Results: The findings indicate that Taoist symbols in enameled ceramics art, including dragons, phoenixes, mythical beasts, and talismanic motifs, embody philosophical ideas such as “following the natural way,” “understanding the Tao,” and “cultivating virtue,” reflecting the integration of religious belief and visual culture. Although the inheritance of enameled ceramics art faces challenges in contemporary society, innovative applications and global dissemination provide opportunities for breaking through traditional limitations and achieving modern development. Conclusion: Chaoshan temple enameled ceramics art plays an important role at the intersection of tradition and modernity. Its revitalization in contemporary society not only deepens the understanding of Taoist cultural symbols within local architectural art but also offers valuable insights into the inheritance and innovation of traditional art in modern society, demonstrating unique developmental potential and cultural value in contemporary spatial design.