Abstract
Background: Han Zhen and Zhou Liya are iconic figures in the field of Chinese dance drama in recent years. They have garnered widespread attention through new media platforms, achieving a remarkable balance between artistic value and market appeal. Objective: This study aims to conduct an in-depth analysis of Han Zhen and Zhou Liya’s dance drama communication strategies in the context of new media. Methods: The research adopts a mixed-methods approach, combining qualitative and quantitative analysis. Taking Han Zhen and Zhou Liya’s official Bilibili account, “Han Zhen & Zhou Liya Studio,” as a case study, a total of 60 video posts uploaded as of November 29, 2024, were selected as research data. Content analysis was employed to examine video content types and communication metrics. Results: The study reveals that Han Zhen and Zhou Liya emphasize a communication strategy that combines a relaxed and natural style with the artistic qualities of dance drama. This differentiated strategy effectively attracts a diverse and multidimensional audience for dance drama. Conclusion: Their communication practices provide concrete references for dance drama creators seeking to communicate effectively on new media platforms, while also offering deeper insights into audience needs and communication characteristics within the new media environment.
References
Sandelowski, M. (2000). Combining qualitative and quantitative sampling, data collection, and analysis techniques in mixed-method studies. Research in Nursing & Health, 23(3), 246–255. URL:https://doi.org/10.1002/1098-240X(200006)23:3<246::AID-NUR9>3.0.CO;2-H
Xiao, S., & Areeprayolkij, W. (2024). Exploring individual creativity components of anime videos via content analysis: A case study of Bilibili. 2024 Joint International Conference on Digital Arts, Media and Technology with ECTI Northern Section Conference on Electrical, Electronics, Computer and Telecommunications Engineering (ECTI DAMT & NCON), 342–347. URL:https://doi.org/10.1109/ECTIDAMTNCON60518.2024.10480074
Lü, J. (2024). The external communication strategies and effects of Chinese dance drama from the perspective of semiotics: Taking the YouTube channel of the China National Opera and Dance Drama Theater as an example. Media, (04), 51–53. DOI:CNKI:SUN:CMEI.0.2024-04-018.
Han, Y. K., & Fan, X. Y. (2024). Research on audience involvement in dance drama communication: A content analysis based on Weibo data of Poetic Dance: The Journey of a Legendary Landscape Painting. Journal of Beijing Dance Academy, (03), 103–117. URL:https://chn.oversea.cnki.net/KCMS/detail/detail.aspx?dbcode=CJFD&dbname=CJFDLAST2024&filename=BJWD202403013&uniplatform=OVERSEA&v=4Ob6A-bSk8fzv8RvdTNUlBhk5nyebwbuTAWkdKUVvlV1_y3iyTTVTEQZDkOa4mzX
Feng, S. B. (2024). Original dance dramas achieving success in both reputation and box office. Dance, (06), 5–9. DOI:CNKI:SUN:WDWD.0.2024-06-001.
Cao, X. M., Wang, Y. N., Jiang, X. D., & Chang, B. L. (2023, September 19). The creative code behind the “breaking out of the circle” of dance dramas. People’s Daily, 011. DOI:10.28655/n.cnki.nrmrb.2023.009563.
Li, C. (2023). Wing Chun: A Chinese story and bodily expression of stopping martial force through martial arts and cultivating humanity through dance. Dance, (05), 66–71. DOI:CNKI:SUN:WDWD.0.2023-05-011.
Yuan, G. (2022). The communication of excellent traditional culture on short-video platforms in the new media environment: Taking Bilibili as an example. Science and Technology Communication, (09), 118–121. DOI:10.16607/j.cnki.1674-6708.2022.09.028.
Yin, H. (2022). Crossover and integration: An analysis of the narrative and communication strategies of contemporary Chinese dance drama texts: Taking The Eternal Wave as an example. Grand Stage, (05), 66–70. DOI:10.15947/j.cnki.dwt.2022.0090.
Wang, Q., Jiao, G. F., & Hu, F. (2022). Research on the innovation of dance programs in the context of media convergence. China Television, (04), 97–100. DOI:CNKI:SUN:ZGDD.0.2022-04-017.
Fu, A. K. (2021). Research on the cultural communication of contemporary dance drama based on the encoding/decoding model: Taking the dance drama The Eternal Wave as an example. Songhai, (04), 46–50+54. DOI:CNKI:SUN:GHAI.0.2021-04-011.
Han, Z., Zhou, L. Y., & Tian, T. (2020). “Works are the best teachers”: An interview with Han Zhen and Zhou Liya. Journal of Beijing Dance Academy, (04), 14–20. DOI:CNKI:SUN:BJWD.0.2020-04-004.
Zhang, L., & Wu, Y. Z. (2019). Exploration and innovation in the forms of expression of dance drama: A review of the large-scale dance drama The Eternal Wave. Dance, (02), 65–69. DOI:CNKI:SUN:WDWD.0.2019-02-015.
Li, N. (2018). An analysis of dance communication and industrial development in the context of new media. Journal of Beijing Dance Academy, (04), 78–84. DOI:CNKI:SUN:BJWD.0.2018-04-012.
Dong, L. (2017). Contemporary ethnic dance drama creation from the perspective of the integration of traditional and modern culture: An analysis of works by Zhou Liya and Han Zhen. Ethnic Art Studies, (06), 165–169. URL:https://chn.oversea.cnki.net/KCMS/detail/detail.aspx?dbcode=CJFD&dbname=CJFDLAST2018&filename=MYSY201706021&uniplatform=OVERSEA&v=ytY6Bk7ft9DAM4JuA2eJyk3JVR2BYurwqlsGK6rTvpJ-4ugw1s_vHjfZl8JNzbth

This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2024 The Author(s). Published by Journal of Global Arts Studies.
