Research and Application of Emotional Design-based Visual Image Design for Catering Brands- Taking Hunan Cuisine Brand Furongge as an Example
PDF

Keywords

Emotional design; Catering brand; Visual image design; Furongge

How to Cite

Research and Application of Emotional Design-based Visual Image Design for Catering Brands- Taking Hunan Cuisine Brand Furongge as an Example. (2023). Journal of Global Arts Studies, 1(1). https://doi.org/10.23112/jgas23123105

Abstract

Background: The arrival of the post-epidemic era, the domestic economy gradually recovered and developed, people's living standards of consumption recovered and improved. At the same time, the restaurant industry also continues to develop and recover and expand. For designers, it is undoubtedly a challenge to effectively communicate the entire restaurant brand image. Objective: In the history of art, some artists are in a state of being ignored, which is both normal and abnormal. The normal refers to that an art history is a history with both masking and exposure, while the abnormal means that some important artists are excluded from the vision of art history. Methods: Based on literature research methods, we organized articles and literature materials related to Gao Qipei, explored the origin of Gao Qipei's "Wonder-advocating" Thought in his painting from the perspectives of his career and personal experience and analyzed the "Wonder-advocating" Thought from multiple angles. Result: There was an expression form of "Wonder-advocating" art in the Ming and Qing Dynasties, and Gao Qipei reflected the pursuit of "curiosity" taste from artists in the Qing Dynasty. Starting from Gao Qipei, the finger and pen have a distinction in painting. In his concept, the finger had many advantages over the pen, which prompted him to use the finger for painting and formed his own unique painting style. Conclusion: It is revealed that Gao Qipei had a "brand new" understanding of painting art under the condition of "Wonder-advocating" Thought, which brought new vitality to Chinese painting art.

PDF

References

Chen, F. (2002). Brand science: The practical principles of Chinese brands. Jiji Press.

Duan, K. M. (2020). Based on the concept of emotional design “millet comfort life” brand image design (Master’s thesis, Hebei University). https://doi.org/10.27103/d.cnki.ghebu.2020.000801

Gobé, M. (2010). Brandjam: Humanizing brands through emotional design. Simon and Schuster.

Gobe, M. (2010). Emotional branding: The new paradigm for connecting brands to people. Simon and Schuster.

Jakobson, P. M. (1988). Psychology of feelings. Izd-vo APN RSFSR. Heilongjiang People's Publishing House.

Keller, K. (2001). Strategic brand management. Prentice Hall, Inc.

Li, J. (2007). Emotional brand design. China Market Press.

Li, J. P. (2017). Based on the emotional design of Enshi traditional food packaging design research (Master’s thesis, Wuhan University of Technology). URL:https://kns.cnki.net/kcms2/article/abstract?v=tc18asgQl7R2fj_E3VKMEVK3nd24ZIngpq2WI8BFHnWmF-7uLO9cMaspoCCm2S-l4a9SQcAv2-QYStWrKdkyeeqcgbywfEE6C-dc-WmpXTIw3tqsXpNV0WjPqLrrIVrgdA4ntRuycDEIN0-H3RvNIA==uniplatform=NZKPTlanguage=CHS

Li, L. H. (2020). Local characteristic agricultural products brand image visual design research (Master’s thesis, Xihua University). https://doi.org/10.27411/d.cnki.gscgc.2020.000314

Lin, R. Y., & Gu, Z. Z. (2022). On the principles and methods of logo design in the image building of start-up brands. Journal of Jingdezhen University, (06), 105–108. URL:https://kns.cnki.net/kcms2/article/abstract?v=0qMDjMp0v1nNas9pb84RqlbZ3AsxTzy1--B1bMBaP8UJkT0AfRu131KtcXwTD8YOHfsjaV72DnL9O9O8oKxqD3BOMUTcnMFQEzrVB0W5-u_X6AUFp229nCVzbwU800IfK1Vos9I90Vw=&uniplatform=NZKPT&flag=copy

Liu, G. H. (2019). Development trend of future product design based on emotional design. Shandong Industrial Technology, (07), 232–234. https://doi.org/10.16640/j.cnki.37-1222/t.2019.07.211

Liu, S. (2006). Design art psychology. Tsinghua University Press.

Liu, Z. M., Wang, Y., Lu, L. L., & Han, Z. X. (2016). Reflections on school-enterprise cooperation mechanism of local colleges and universities. Journal of Economic Research, (27), 181–182. URL:https://kns.cnki.net/kcms2/article/abstract?v=0qMDjMp0v1lBIBwWKGbWMxaN2Z0dIPIwP_VjUtcUerhm6x54Ie7ALSp11EPJWPMU1UnAgIgUahRQNbdLrbih3Ts3cmjJrgZXUorFCK-T7speDhP8mPf2kYFZI-pq7Dxs4C_yGlMhP5Q=&uniplatform=NZKPT&flag=copy

Norman, D. (2007). Emotional design: Why we love (or hate) everyday things. Basic Books.

Xu, W. Z., & Zhang, H. (2020). Research on the development strategy of cultural and creative market in the new cultural and creative era. Comparative Research on Cultural Innovation, (36), 178–180. URL:https://kns.cnki.net/kcms2/article/abstract?v=0qMDjMp0v1ko-ESMlY5WC-DKKtvkR7086xHhHD44IWIixDFzB1AQWdeHw2N9s4I2h4I_9VBxlMIZZhoOq10BONTO8pKCCkAzZKP6WxOgR9VVK2xu-8dRYpAp2JnIKBwaAFhwvmOJ6E4=&uniplatform=NZKPT&flag=copy

Xue, H. (2011). On the return of Chinese traditional elements in modern packaging design. China, (3), 1.

Zeng, Q. (2020). The application of Chinese traditional cultural symbols in packaging design. Yi Hai, (05), 96–97.

Zhang, B. G. (2014). Brand visual design. Posts and Telecommunications Press.

Zhang, D., & Wu, J. P. (2000). Corporate culture and planning. Tsinghua University Press.

Zhang, H. Y., & Zhang, Z. L. (2011). The application of traditional Chinese pattern in tea packaging design. Literary Life: Mid-ten Days, (8), 56.

Zhao, S. S. (2022). Emotional design brand image (Master’s thesis, Changchun University of Technology). https://doi.org/10.27805/d.cnki.gccgy.2022.000153

Zhou, Y. (2021). Based on the concept of emotional brand image design (Master’s thesis, Jiangxi University of Finance and Economics). https://doi.org/10.27175/d.cnki.gjxcu.2021.000309

Zhu, Z. X. (1989). Dictionary of psychology. Beijing Normal University Press.

Zuo, Q. F. (2012). Post-emotionalism and its influence on contemporary Chinese literature. Literary Theory and Criticism, (04), 91–95. https://doi.org/10.16532/j.cnki.1002-9583.2012.04.022

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2023 The Author(s). Published by Journal of Global Arts Studies.

Downloads

Download data is not yet available.