Study on the drinking vessel in the stone hall image of Yuhong Tomb in Taiyuan, China
PDF

Keywords

Yuhong's Tomb; Images; Drinking Vessels; Silk Road

How to Cite

Study on the drinking vessel in the stone hall image of Yuhong Tomb in Taiyuan, China. (2023). Journal of Global Arts Studies, 1(1). https://doi.org/10.23112/jgas23123118

Abstract

Background: The tomb of Yuhong of Sui Dynasty was excavated in Wangguo Village, Taiyuan City in 1999 by archaeologists from Shanxi Province. The only remaining burial equipment was the marble hall made of white marble. The stone hall was a wood-like three-open intermittent hill-top hall, consisting of a long flat square base, a central wall panel and a mountain top. Both inside and outside the stone hall are carved and painted, composed of 54 single images, rich in pattern content. The figures, costumes, utensils, Musical Instruments, dances, flowers and trees in the images are all related to Persia and Central Asian countries, and are also of great significance to the study of the Silk Road and the ancient East-West cultural exchanges.Objective: This study aims to explore the wine vessels depicted in the stone chamber images of the Yuhong Tomb in Taiyuan, with a focus on analyzing their cultural and artistic value. Through the study of the wine vessel images, the research seeks to reveal the artistic fusion in the cultural exchange along the Silk Road.Methods: The study utilizes image analysis and comparison with historical literature to categorize and analyze the wine vessels depicted in the stone chamber of the Yuhong Tomb in detail, with particular attention to the origins and evolution of wine vessel types such as Rhyton, Poluo, and tall-footed cups. It emphasizes their cultural significance and stylistic features.Results: The findings indicate that these wine vessels integrate artistic elements from Persia, Sogdiana, Rome, and indigenous Chinese culture, reflecting the significant role of the Silk Road in promoting artistic exchange and traditional absorption between different cultures.Conclusion: The study demonstrates that the wine vessels depicted in the stone chamber images of the Yuhong Tomb are not only artistic works but also evidence of cultural exchange. These discoveries are crucial for understanding the cultural interactions along the Silk Road and the contributions to China's rich cultural heritage.

PDF

References

Cai, H. S. (1998). The Nine Hu Tribes and Turkic culture in the Tang Dynasty. Zhonghua Book Company.

Chen, X. G. (2009). The origin of grapes and wine and the time and routes of their introduction into Xinjiang. Ancient and Modern Agriculture, (01), 51–61. https://doi.org/10.3969/j.issn.1672-2787.2009.01.007

Ge, C. Y. (2008). The artistic archaeology and cultural relics confirmation of “Barbarians annually offering grape wine.” The Palace Museum Journal, (11), 30. https://doi.org/10.16319/j.cnki.0452-7402.2008.06.004

Gyllensvard, B. (1957). T’ang Gold and Silver. The Museum of Far Eastern Antiquities, No. 29, 57. https://doi.org/10.2307/597682

Harada, Y. (1941). Studies on ancient East Asian culture. Zayūhō Publication Society.

Henan Provincial Museum. (1972). A brief report on the excavation of Fan Cui’s tomb of the Northern Qi Dynasty in Anyang, Henan. Wenwu, (01), 47–57. URL:https://kns.cnki.net/kcms2/article/abstract?v=mRajgomPiikS24QbBzFSnYi3gxQyNWG1Q_OrkqcCQ5Lsauv2l20pZhAtAPprvEbLiY2KOERO62_1MzNvDvFoYHVN0Dzm8nEO6CX-yZ_4vGPvJSo2dyW17XcvQaAKx7dIvUasGFhXD1A=&uniplatform=NZKPT&language=CHS

Hu, S. (1986). A study on the time of grape introduction to the inland areas. Xinjiang Social Science, (05). URL:https://kns.cnki.net/kcms2/article/abstract?v=mRajgomPiikbyUAUCMQoIcXYPdDGG94jXlaesszrM2NOmi15fnZw67tvTNei0t9EfvVkGmJ_6dNIGrlfkJF5H5lDp-1-uVoZaGQ-tO6o-dWis6qpDscG8cFiQNZBgaE41u2JK-nlen4=&uniplatform=NZKPT&language=CHS

Li, B. Y. (1973). Book of Northern Qi. Zhonghua Book Company.

Li, T. J. (1993). Ancient history and culture of Iran. Jiangxi People’s Publishing House.

Marshak, B. (2019). Sogdian Silverware (L. Meitian, F. Chengzhang, & W. You, Trans.). Shanghai Ancient Books Publishing House.

Ouyang, X. (1975). New Book of Tang. Zhonghua Book Company.

Qi, D. F. (1998). Images of gold and silver ware in Tang Dynasty tomb murals. Wenbo, (06), 67. URL:https://kns.cnki.net/kcms2/article/abstract?v=mRajgomPiim_SyRj6ofB89zY3aeO9LV2y95dFg5Oh37p9Utt-hR1bkVMkPWL2TfEWDGbUOfQXAPXV59mcCPpiKL3OBzpX1_30JnRZvqXRVi_x8YikCsw3gTHbfdGzc3p2igIRFb1hw4=&uniplatform=NZKPT&language=CHS

Qi, D. F. (1999). Research on gold and silver ware in the Tang Dynasty. China Social Sciences Press.

Qi, D. F., & Shen, Q. Y. (2003). Dancing flowers in the spring of the Great Tang: Essence of the treasures from the Hejia Village site. Cultural Relics Publishing House.

Qi, D. F., & Zhang, J. (1998). The dissemination and evolution of Sasanian style gold and silver rhytons in China. Kaogu, (06), 63. URL:https://kns.cnki.net/kcms2/article/abstract?v=mRajgomPiik3UU8_j4agfFGvZz5vMI4cJT-lyJHFKIrl8oCTpA7xaXMKNy-tmGqOD6uyaG8p-0VsULODlCiB2AarwdmEanQmVrqCeqySFmF2O5pH-0DHAedaRZKloM8K-OHqBhqGW7M=&uniplatform=NZKPT&language=CHS

Shaanxi Academy of Archaeology. (2003). The Anjia tomb of the Northern Zhou in Xi’an. Cultural Relics Publishing House.

Shi, Y. M. (2019). Analysis of multicultural elements in the stone coffin images of Yu Hong’s tomb in the Sui Dynasty (Master’s thesis, Shandong University). URL:https://kns.cnki.net/kcms2/article/abstract?v=mRajgomPiikCpra1qeDgshiqu2VwAGPmvLtmUutDR5lnn8R1ClcvDOiAToi0-ryawKe6LcqKZ1r5G8P-ile1f3qYR27gRm-rT4BqfifmImWenWPqBW0tnSnghKPtDDJKMqExcz4P7w4Ief-BuWpwwQ==&uniplatform=NZKPT&language=CHS

Si, M. Q. (1959). Shi Ji (Historical Records). Zhonghua Book Company.

Sun, J. (1996). The sacred flame of China: Some issues in ancient Chinese artifacts and cultural exchange between East and West. Liaoning Education Publishing House.

Wang, X., & Ma, X. L. (2022). “Death without Descendants” and the political system of the oasis city-states in the Western Regions: Centering on the records of Shiji and Hanshu. Western Regions Studies, (04), 15. https://doi.org/10.16363/j.cnki.xyyj.2022.02.001

Xia, N. (1978). Recently unearthed Sasanian artifacts in China. Kaogu, (02), 111–116. URL:https://kns.cnki.net/kcms2/article/abstract?v=mRajgomPiik4kqnFzxWQg4GN7SNFNY2zE8j3bcUYGDN4eo8teQHn0-caKlvS7hilHoU7JDCc806zog9kchNRKdqbgolMmMjpkOPpnZnx-r2OrRRQ_tudmg==&uniplatform=NZKPT

Yang, J. K. (2014). The tomb of Shi Jun of the Northern Zhou in Xi’an. Cultural Relics Publishing House. DOI:https://www.zhangqiaokeyan.com/book-cn/081501560929.html

Zhang, Q. J. (2001). A brief report on the Yu Hong Tomb of the Sui Dynasty in Taiyuan. Wenwu, (01), 37–38. DOI:10.13619/j.cnki.cn11-1532/k.2001.01.002

Zhao, P. Y. (2020). A preliminary study of grape elements in the reliefs of Sogdian tombs in China. Inner Mongolia Radio and TV University Journal, (08), 20. https://doi.org/10.16162/j.issn.1672-3473.2021.01.010

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2023 The Author(s). Published by Journal of Global Arts Studies.

Downloads

Download data is not yet available.