Abstract
Background: In recent years, the research on art fairs has gradually emerged as a focus of attention in the academic realm. Previous art fair research, mainly single-case or regional, lacks cross-national comparisons and strong theoretical grounding. This article endeavors to bridge this research gap by undertaking a systematic comparison of two significant art fairs, namely Frieze London and Frieze Seoul, from the perspective of the resource-based theory (RBV). Objective: This article uses Resource-Based Theory (RBV) to compare Frieze Seoul and Frieze London. It identifies similarities and differences in their core resources and capabilities, analyzing how policy environments, cultural characteristics, and market demands influence their resource integration strategies. Methods: Based on the RBV Theory, this paper employs a comparative case study approach to analyze the allocation of both tangible and intangible resources at Frieze London and Frieze Seoul. It investigates how these resource allocations impact their market performance and sustainable development, and further explores their respective resource allocation strategies and strategic implementation in diverse market environments. Results:A comparative study of Frieze London and Frieze Seoul reveals their distinct strengths. Frieze London maintains its global lead due to its rich art history, mature market, and extensive educational resources. Meanwhile, Frieze Seoul, bolstered by Korea's strong cultural industry, robust government support, and rising demand in emerging markets, shows strong growth and is becoming a key player in the Asian art market. Conclusion: The study finds that proactive policy support from the Korean government (e.g., tax incentives, cultural industry development plans) fosters a favorable environment for its art market. In contrast, London needs to optimize its art market competitiveness in the wake of post-Brexit policy adjustments. Furthermore, Frieze Seoul's success demonstrates that integrating local cultural traits and market demands can effectively boost art market development.
References
Haksoon Yim.(2002). CULTURAL IDENTITY AND CULTURAL POLICY IN SOUTH KOREA. The International Journal of Cultural Policy,8(1):37–48. DOI:10.1080/10286630290032422
Hwy-Chang Moon & Wenyan Yin.(2020). How Chinese Filmmakers Effectively Respond to Chinese Government Policy for Enhancing Their Competitiveness. Global Policy(2):47-55. DOI:10.1111/1758-5899.12824
Lee, H.-K. (2020). Making creative industries policy in the real world: differing configurations of the culture-market-state nexus in the UK and South Korea. International Journal of Cultural Policy,26(4):544-560. DOI:0.1080/10286632
Kong, Lily.(2014). From Cultural Industries to Creative Industries and Back? Towards Clarifying Theory and Rethinking Policy. Inter-Asia Cultural Studies,15(4),593-607. DOI:1080/14649373
Lee, Soo Hee & Lee, Jin Woo.(2016). Art Fairs as a Medium for Branding Young and Emerging Artists: The Case of Frieze London. The Journal of Arts Management, Law, and Society,46(3):95-106. DOI:10.1080/10632921
Scibiorska-Kowalczyk, I.; Cichoń, J.(2021). The Significance of Cultural Policy—Case Study of South Korea. Sustainability(13). DOI:10.3390/32413805
Yoon, Hyunsun & Vlachos, Peter.(2023). Cultural institutes abroad in the 21st century: the case of the Korean Cultural Centre UK. International Journal of Arts Management, V2527:9-91. URL:[https://boutique.gestiondesarts.hec.ca/en/product/](https://boutique.gestiondesarts.hec.ca/en/product/)
Piao Jinghua.(2019). Talent Cultivation in Cultural Industries Based on Cultural Capital Theory — Lessons from the Korean Experience. Journal of Shandong University (Philosophy and Social Sciences Edition),2019(6):58-66. DOI:10.3969/j.issn.1001-9839.2019.06.010.
2024 Art Basel and UBS Survey of Global Collecting.(2024). URL:[https://theartmarket.artbasel.com/download/The-Art-Basel-and-UBS-Survey-of-Global-Collecting-in-2024.pdf](https://theartmarket.artbasel.com/download/The-Art-Basel-and-UBS-Survey-of-Global-Collecting-in-2024.pdf)
Zhang Rui.(2018). Research on Frieze Art Fair in London, UK. Art Observation,(04),140-144. DOI:10.3969/j.issn.1006-8899.2018.04.045.

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright (c) 2025 The Author(s). Published by Journal of Global Arts Studies.
