Research on Community Construction Mechanism and Interaction Ecology of Chinese Music Podcast "Vibration"
PDF

Keywords

Music podcast; Online community; Participatory culture; Emotional public sphere; Relational communication

How to Cite

Research on Community Construction Mechanism and Interaction Ecology of Chinese Music Podcast "Vibration". (2026). Journal of Global Arts Studies, 4(1). https://doi.org/10.23112/jgas26033105

Abstract

Background: With the development of digital media and mobile audio technologies, music podcasts have become integral to low-attention scenarios, and their communities foster interpersonal connection and interaction. However, empirical case studies on the formation, maintenance and interactive mechanisms of Chinese music podcast communities remain insufficient. Objective: Using the Chinese music podcast "Vibration" as a case study, this paper explores how music podcasts attract enthusiasts, establish connections, and create relatively stable community structures through continuous interaction. The analyses focus on the framework of "content entry—emotional mechanism—technical support." Methods: It adopts literature review and text analysis, focusing on program texts and comment section interactions to analyze topic selection, narrative expression, interactive prompts and audience responses, and uses word frequency to identify interactive themes and emotional expression features. Results: Vibration builds community entry points through targeted topics, personalized storytelling and immersive sound; emotional bonds are strengthened via interactive discussions and feedback mechanisms; platform functions, membership systems and community activities drive interaction from content consumption to identity and community construction. Conclusion: This podcast has evolved from a content delivery platform to a community linking shared interests, emotional ties and social identity, proving Chinese music podcast community development relies on the synergy of content curation, emotional engagement and platform interaction rather than single content appeal.

PDF

References

Bezerris Consulting. (2025). 2025 – 2031 China podcast market data analysis report. Global Market Monitor. https://www.globalmarketmonitor.com.cn/search/?2a3713e897d748d081c582f2d86ca016&cn_gmm_CHINA_CN_9900

Canalys. (2025). Growth drivers of the personal smart speaker market. EEFocus. https://www.eefocus.com/article/1802995.html

DeNora, T. (2000). Music in everyday life (pp. 72–96). Cambridge University Press. https://www.google.com/books/edition/Music_in_Everyday_Life/LXOhKHXUQeIC?hl=zh-CN&gbpv=1&dq=Music+in+everyd

ay+life&pg=PA88&printsec=frontcover Fan, L., & Lin, X. Y. (2021). Exploration of new forms of podcast content under the background of “ear economy“. China Publishing

Journal, (24), 31–35. https://doi.org/10.3969/j.issn.1002-4166.2021.24.006

Feng, J. X., & Geng, S. H. (2023). A study on users’ listening motivation of humanities podcasts: Based on the investigation of user comments on Ximalaya platform. Journal of Journalism & Communication, (7), 101–116, 121. https://link.cnki.net/doi/10.20050/j.cnki.xwdx.2023.07.008

Gao, G. W., & Ding, M. H. (2021). From broadcasting to audio: The sound ecology in auditory culture. Youth Journalist, (11), 60–63. https://link.cnki.net/doi/10.15997/j.cnki.qnjz.2021.11.021

Gao, G. W., & Qu, Y. X. (2024). The image comes from the heart: Personality and the evolution of personification in host communication. Media, (4), 9–12. https://doi.org/10.3969/j.issn.1009-9263.2024.04.005

Gao, G. W., & Wang, B. (2022). From broadcasting to podcasting: The embedded survival and social development of sound media. News and Writing, (7), 98–104. https://doi.org/10.3969/j.issn.1002-2295.2022.07.012

Hamilton, C., & Barber, S. (2022). Rate and review: Exploring listener motivations for engagement with music podcasts. Radio Journal: International Studies in Broadcast & Audio Media, 20(1), 17–32. https://doi.org/10.1386/rjao_00053_1

Lasswell, H. D. (1948). The structure and function of communication in society. In L. Bryson (Ed.), The communication of ideas (pp. 37–51). Institute for Religious and Social Studies. https://marketing-course.ru/wp-content/uploads/2018/11/Lasswell.pdf

Li, A., Wang, A., Nazari, Z., Chandar, P., & Carterette, B. (2020, April). Do podcasts and music compete with one another? Understanding users’ audio streaming habits. Proceedings of the Web Conference 2020, 1920–1931. https://doi.org/10.1145/3366423.3380260

Ma, X. G. (2024). The application of virtual communities in music online social media. Media, (4), 45–47. https://doi.org/10.3969/j.issn.1009-9263.2024.04.018

Marcuse, H. (2013). One-dimensional man: Studies in the ideology of advanced industrial society (pp. 18–29). Routledge.

McClung, S., & Johnson, K. (2010). Examining the motives of podcast users. Journal of Radio & Audio Media, 17(1), 82–95. https://doi.org/10.1080/19376521003719391

Meggetto, F. (2024). The users’ behaviour in audio streaming services: Investigations in the music and podcast domains. https://doi.org/10.48730/rh5z-m733

Radjagukguk, D. L., & Pradana, V. N. (2020). Utilization of new media podcast Berizik (joking music content) in delivering messages about music. JILPR Journal Indonesia Law and Policy Review, 2(1), 23–34. https://doi.org/10.56371/jirpl.v2i1.42

Schramm, W. (Ed.). (1954). The process and effects of mass communication (p. 54). University of Illinois Press.

Skjerseth, A. (2022). Ride-along listening: Inclusive modes of musical analysis in Switched on Pop. Radio Journal: International Studies in Broadcast & Audio Media, 20(1), 33–48. https://doi.org/10.1386/rjao_00054_1

Sun, R. Q. (2025). On Marcuse’s critical thought of technological alienation: Based on One-Dimensional Man. Data of Culture and Education, (2), 37–40. https://doi.org/10.3969/j.issn.1004-8359.2025.02.011

Wu, L. (2016). A study on participatory culture in the internet context (Master’s thesis). Zhejiang University of Technology, Hangzhou, China.

Xia, D. Y., & Zhou, W. F. (2022). Podcast: The development of new oral communication form and the return of auditory culture. Studies in Culture & Art, 15(1), 65–74, 114. https://doi.org/10.3969/j.issn.1674-3180.2022.01.011

Xu, M. M. (2021). Podcast: The emotional community in sound. Journal of Capital Normal University (Social Sciences Edition), (3), 144–152. https://doi.org/10.3969/j.issn.1004-9142.2021.03.014

Xue, X., & Gao, G. W. (2025). Reconstructing professional boundaries: Relationship construction and media knowledge production of young online anchors. Contemporary Communications, (3), 26–30. https://doi.org/10.3969/j.issn.1009-5322.2025.3.ddcb202503006

Yin, Y., & Chen, H. (2021). From “users” to “community”: The construction path of social scenes by music apps: Taking NetEase Cloud Music as an example. Southeast Communication, (9), 123–126. https://link.cnki.net/doi/10.13556/j.cnki.dncb.cn35-1274/j.2021.09.034

Zhang, R. (2019). A study on community identity of music social media (Master’s thesis). Beijing University of Posts and Telecommunications, Beijing, China.

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2026 The Author(s). Published by Journal of Global Arts Studies.

Downloads

Download data is not yet available.