The review of Current status of research on linguistics for body in dancing in China
pdf

Keywords

Body language; dance body linguistics; traditional dance; dance body language construction

How to Cite

The review of Current status of research on linguistics for body in dancing in China. (2024). Journal of Global Arts Studies, 2(2). https://doi.org/10.23112/jgas24063007

Abstract

Background: Dance body linguistics is able to directly penetrate into the "truth" of dance from the perspective of dance ontology, which is conducive to identifying and reflecting on the phenomena of language confusion and identity dislocation that exist in the field of Chinese dance at present. Purpose: Through a comprehensive review of the research on Chinese dance body linguistics, the researcher aims to provide powerful thoughts for the reconstruction of Chinese traditional dance. Methods: Through systematic literature analysis, this paper summarizes and reviews all the aspects and perspectives of the current research on Chinese dance body linguistics from three dimensions: the theoretical construction of the discipline of dance body linguistics and its deconstruction and structure of dance phenomena. Results: The study concludes that the current research on Chinese dance body linguistics is characterized by conceptual confusion, narrow vision, morphological confusion and weak theoretical construction. Conclusion: As the body of dance is inherently comprehensive, the study of dance body language should not stop at the dismantling and integration of dance forms, but should also trace the rhetoric, symbols, meanings, concepts behind them, and their transformation and positioning in the development of the times.

pdf

References

以下是从您提供的文献列表中提取的全部英文部分(含英文人名、英文标题、英文期刊名等,未作任何修改):

Chen, R., & Huang, M. (2021). A preliminary study on the construction path of Dunhuang Flying Music and Dance Image Database. Journal of Beijing Dance Academy, (03), 27-34.

Chen, R., & Shang, J. (2015). Interpretation of the dance body language of the artistic image of Dunhuang Feitian. Journal of Beijing Dance Academy, (04), 20-24.

Gao, Z. (2014). On the Aesthetic Judgment of Dance Body Language in Classical Dance: A Discussion on the Aesthetic Status of "Chinese Classical Dance". (eds.). Cultural Consciousness and Art Anthropology: Proceedings of the 2014 International Symposium on the Anthropology of Chinese Art (Volume I), (pp.290-297). China Federation of Literary and Art Circles Press.

Li, Q. (2012). Discussion on the Construction of Chinese Folk Dance Teaching Materials in Colleges and Universities: A Discussion on Dance Body Language. Hunan Social Sciences, (01), 214-216.

Li, Q. (2020). A Visual Exploration of Dance Body Movements in Film. Journal of Beijing Dance Academy, (01), 113-116.

Liu, J. (2000). Symbols of the Silent World – Dance Body Language. Journal of Beijing Dance Academy, (01), 46-51, 12.

Liu, J. (2008). A Preliminary Study of the Metalanguage of the Dance Body. Journal of Beijing Dance Academy, (01), 30-35.

Liu, J. (2011). Dance Imitation and Creation in Prelinguistic Structures. Journal of Beijing Dance Academy, (01), 10-16.

Liu, X., & Wang, L. (2021). On the Symbolic Identity of Dance Language. Studies in Contemporary Dance Art, 6(01), 65-72.

Shao, Y, Y. (2014). The Body in Your Eyes: Phenomenological Reflections on Dance. Ethnos art, (05), 143-148. DOI: 10.16564/j.cnki.1003-2568.2014.05.015

Shen, Y. (2010). On the Body Language Characteristics of Han Portrait Dance Images. Journal of Beijing Dance Academy, (01), 15-21.

Shi, J, X. (2006). A Preliminary Study on the Narrative of Body Language in Chinese Dance Drama. Journal of Beijing Dance Academy, (01), 93-96.

Shi, X, Y., Zheng, M, P., Wang, Y. (2019). On the Thinking Tendency of Body Language Construction in Dance Images. Journal of Beijing Dance Academy, (06), 52-58.

Sun, H, J. (2013). A Study of Indicator Symbols in Shamanic Dance Body Language. Journal of Beijing Dance Academy, (01), 70-73.

Wang, K, F., Liu, E, B., Xu, E, C., et al. (2010). Dictionary of Chinese Dance. Culture & Art Press.

Wang, X. (2017). A Study of the Body Language of Traditional Chinese Opera Dance. [Ph.D., Chinese Academy of Arts]. Chinese Academy of Arts.

Terence Hawkes, translated by Qu Tiepeng. (1987). Structuralist semiotics. Shanghai Translation Publishing House.

Xiang, B. (2017). "Context" in Dance Teaching from the Perspective of Body Language. Theoretical Observations, (06), 148-150.

Xu, H. (2012). Visual Metaphors: Strategies to Resist the Alienation of Dance Body Expression. Journal of Beijing Dance Academy, (02), 4-7.

Xu, H., & Jia, Y. (2022). A Theoretical Study of Cross-Cultural Communication in Chinese Dance. Studies in Ethnic Art, 35(04), 79-87. DOI: 10.14003/j.cnki.mzysyj.2022.04.08.

Yang, G. (2017). Analysis of body language in the form of discipline: A case study of professional dance Haiyang Yangge. Art Garden, (02), 74-76.

Yuan, Y. (2008). On the differences in the artistic creation of choreographers' personal consciousness in the adaptation of dance dramas. Journal of Beijing Dance Academy, (04), 45-53.

Zhang, H. (2019). Mythology, rituals, and dance language presentation of the "Four Gods" in Han portraits. Art Garden, (04), 94-97.

Zhang, M, Q. (2018). A brief analysis of dance body language in the form of discipline: A case study of Gannan tea picking dance. Drama House, (35), 108, 110.

Zhang, Z, X. (2012). In the Name of "New China": A Study on the Generative Mechanism of Contemporary Dance Training System in China. The Hundreds of Arts, 28(02), 58-64, 97.

Zhang, S, Q. (2010). Examining the Many Perspectives of the Dance Medium. Journal of Jilin University of the Arts, (01), 41-45. DOI: 10.13867/j.cnki.1674-5442.2010.01.006.

Zhang, S, Q. (2011). A study on the nature of body language in dance. Journal of Beijing Dance Academy, (01), 17-23.

Zhang, S., & Liu J. (2013). Body Language of Dance. Capital Normal University Press.

Zhao, X, Z. (2018). An Analysis of Dance Body Language from the Perspective of Semiotics: A Case Study of Song Xian Dance in the Dance Drama Confucius. Contemporary Music, (06), 113-115.

Zong, M. L. (2017). A study of semantics and semantic thinking in dance body language [M.A., Nanchang University].

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Copyright (c) 2024 The Author(s). Published by Journal of Global Arts Studies.

Downloads

Download data is not yet available.